#Eyeframe converter video is increased size professional
Many professional cameras record multiple audio tracks, for example when a camera has 2 independent XLR inputs it would be usual to store these as 2 independent audio tracks within the file.įFmbc, by default, only encodes the first video and first audio track that it finds within a file. mov“Ĭamera Files with multiple Audio Tracks( st599) mov“ĪVCHD Rewrap to MOV – Reset TC – Add EF to Reel Name – Proxy PRORES ( teonobashite)įfmbc.exe -i “” -vf scale=iw/2:-1 -vcodec prores -profile proxy -qscale 4 -timecode 00:00:00:00 -metadata reel_name=EF -acodec pcm_s16be -ar 48000 -threads 8 -y “. SlowMo ProRes HQ – 50p to 25p – 60p to 30p – ProxyĪVCHD Rewrap to MOV – Reset TC – Add EF to Reel Name – Proxy DVSD ( teonobashite)įfmbc.exe – i “” -vcodec copy – timecode 00:00:00:00 -metadata reel_name=EF -acodec copy -threads 8 -y “. SlowMo ProRes HQ – 50i to 25p – 60i to 30p – Proxy SlowMo MPEG2 I-Frame – 50p to 25p – 60p to 30p – Proxy Quarter Size SlowMo MPEG2 I-Frame – 50i to 25p – 60i to 30p – Proxy Quarter Size SlowMo MPEG2 I-Frame – 60p to 24p – Proxy Quarter Size SlowMo MPEG2 I-Frame – 60i to 24p – Proxy Quarter Size The notes above also pertain to the presets below. Set the frame rate of the clip in EFC to 25, 29.97 or 30. SlowMo DNxHD 185 – 50p to 25p – 60p to 30p – Proxy 36 The frame rate in EFC should already show 25 or 29.97. SlowMo DNxHD 185 – 50i to 25p – 60i to 30p – Proxy 36 Set the frame rate of the clip in EFC to 24 or 23.976. * Use this only with 60p progressive files. * Use this only with 60i interlaced files. Slowmotion presets 60/50 i/p to 24/25 i/p(by Khaver) To add a new preset to EyeFrame Converter either save a set of intermediate and proxy settings to a txt file and place it in “C:\Users\Public\Documents\EyeFrame Data” or open an existing preset in EFC > Conversion settings > Pen button, paste the new settings in and save as.
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